Tuesday, April 5, 2011

Twin Infinitives (#27)

lays down 2 of a kind/ against 4 aces and has been conned




















Mirrors :: J. L. Borges

I, who felt the horrors of mirrors
Not only in front of the impenetrable crystal
Where there ends and begins, uninhabitable,
An impossible space of reflections,
But of gazing even on water that mimics
The other blue in its depth of sky,
That at times gleams back the illusory flight
Of the inverted bird, or that ripples,
And in front of the silent surface
Of subtle ebony whose polish shows
Like a repeating dream the white
Of something marble or something rose,
Today at the tip of so many and perplexing
Wandering years under the varying moon,
I ask myself what whim of fate
Made me so fearful of a glancing mirror.
Mirrors in metal, and the masked
Mirror of mahogany that in its mist
Of a red twilight hazes
The face that is gazed on as it gazes,
I see them as infinite, elemental
Executors of an ancient pact,
To multiply the world like the act
Of begetting. Sleepless. Bringing doom.
They prolong this hollow, unstable world
In their dizzying spider’s-web;
Sometimes in the afternoon they are blurred
By the breath of a man who is not dead.
The crystal spies on us. If within the four
Walls of a bedroom a mirror stares,
I’m no longer alone. There is someone there.
In the dawn reflections mutely stage a show.
Everything happens and nothing is recorded
In these rooms of the looking glass,
Where, magicked into rabbis, we
Now read the books from right to left.
Claudius, king of an afternoon, a dreaming king,
Did not feel it a dream until that day
When an actor shewed the world his crime
In a tableau, silently in mime.
It is a strange dream, and to have mirrors
Where the commonplace, worn-out repertory
Of every day may include the illusory
Profound globe that reflections scheme.
God (I keep thinking) has taken pains
To design that ungraspable architecture
Reared by every dawn from the gleam
Of a mirror, by darkness from a dream.
God has created nighttime, which he arms
With dreams, and mirrors, to make clear
To man he is a reflection and a mere
Vanity. Therefore these alarms.

music box (#26)












Machines

Michael Donaghy

Dearest, note how these two are alike:
This harpsicord pavane by Purcell
And the racer's twelve-speed bike.
The machinery of grace is always simple.
This chrome trapezoid, one wheel connected
To another of concentric gears,
Which Ptolemy dreamt of and Schwinn perfected,
Is gone. The cyclist, not the cycle, steers.
And in the playing, Purcell's chords are played away.
So this talk, or touch if I were there,
Should work its effortless gadgetry of love,
Like Dante's heaven, and melt into the air.
If it doesn't, of course, I've fallen. So much is chance,
So much agility, desire, and feverish care,
As bicyclists and harpsicordists prove
Who only by moving can balance,
Only by balancing move.

Unicorn (#25)













The Unicorn
















 
  The saintly hermit, midway through his prayers
stopped suddenly, and raised his eyes to witness
the unbelievable: for there before him stood
the legendary creature, startling white, that
had approached, soundlessly, pleading with his eyes.

The legs, so delicately shaped, balanced a
body wrought of finest ivory. And as
he moved, his coat shone like reflected moonlight.
High on his forehead rose the magic horn, the sign
of his uniqueness: a tower held upright
by his alert, yet gentle, timid gait.

The mouth of softest tints of rose and grey, when
opened slightly, revealed his gleaming teeth,
whiter than snow. The nostrils quivered faintly:
he sought to quench his thirst, to rest and find repose.
His eyes looked far beyond the saint's enclosure,
reflecting vistas and events long vanished,
and closed the circle of this ancient mystic legend.

Rainer Maria Rilke

Addendum 6 preceding 25th post

25 is a semiprime. New rule: All genres are acceptable. However, the same genre may not be used in consecutive posts.

Black Easter (#24)














I HAVE met them at close of day                                     Easter, 1916 by Yeats
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

That woman's days were spent
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When, young and beautiful,
She rode to harriers?
This man had kept a school
And rode our winged horse;
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terrible beauty is born.

Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road.
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute they change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashes within it;
The long-legged moor-hens dive,
And hens to moor-cocks call;
Minute by minute they live:
The stone's in the midst of all.

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is Heaven's part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead;
And what if excess of love
Bewildered them till they died?
I write it out in a verse -
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.